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Ryan Murphy's Teen Serial Killer Thriller Fails to Deliver

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The Unfulfilled Promise of Ryan Murphy’s Latest Collaboration

Ryan Murphy is no stranger to pushing boundaries in his television productions. His shows often court controversy and spark heated debate among audiences. So, it’s perhaps surprising that his latest collaboration with Bret Easton Ellis, The Shards, feels like a misfire.

Murphy and Ellis are known for their fascination with the darker aspects of human nature and their willingness to challenge societal norms in their work. However, their synergy is ultimately stifled by the duo’s vastly different creative visions. Murphy’s maximalist approach prioritizes spectacle over substance, while Ellis prefers minimalism, letting characters’ inner worlds speak for themselves.

The Tensions Between Visionary and Provocateur

In The Shards, this tension between styles is palpable. Opulent production design and elaborate set pieces clash with the more subdued, character-driven drama that underpins the story. This is particularly evident in the casting choices, which add a layer of pseudo-incestuous twinge to characters’ relationships.

Kaia Gerber and Homer Gere’s presence serves as both a nostalgic nod to their parents’ past fame and a marketing gimmick. The show’s focus on style over substance undermines the more nuanced character studies that Ellis brings to the table. This is a shame, given The Shards’ potential as a compelling period drama.

A Misunderstood Generation

At its core, The Shards explores the transition from youth to adulthood in the early 80s. However, this theme is constantly at odds with the show’s own indulgent tendencies. The setting – Los Angeles in 1981 – is rich with cultural touchstones and historical significance, from the rise of the video era to the decline of New Hollywood’s auteur-driven heyday.

A Disappointing Collaboration

Ultimately, The Shards feels like a missed opportunity for Murphy and Ellis to create something innovative. Instead, the show is mired in its own contradictions, torn between excess and restraint. This collaboration highlights the increasingly homogenized and self-indulgent nature of modern television, where streaming platforms prioritize churning out content over taking risks.

As audiences eagerly await the next season of Succession or the latest instalment in the Stranger Things saga, it’s worth remembering that even the most tantalizing collaborations can be a recipe for disaster.

Reader Views

  • CM
    Columnist M. Reid · opinion columnist

    While the article accurately captures the tension between Ryan Murphy and Bret Easton Ellis's conflicting creative visions, it overlooks the elephant in the room: the fundamental problem with _The Shards_ is its attempt to shoehorn a period drama into the traditional teen thriller mold. By doing so, the show neglects to truly explore the complexities of adolescence in 1980s Los Angeles, instead relying on shallow surface-level references and nostalgic name-dropping that fall flat. A more focused approach would have served _The Shards_ better, but alas, it's clear Murphy's maximalist style has won out over Ellis's more restrained sensibilities.

  • CS
    Correspondent S. Tan · field correspondent

    While Ryan Murphy's maximalist style is undeniably captivating, it's clear that Bret Easton Ellis's minimalist approach was stifled in _The Shards_. The real tragedy here is the wasted potential of a period drama set amidst 1980s LA. What if Murphy had toned down his grandiose production design to allow Ellis's subtle character studies to breathe? We might have seen a nuanced exploration of identity, disillusionment, and the fragmented youth experience of that era, rather than a shallow exercise in style over substance.

  • EK
    Editor K. Wells · editor

    While Ryan Murphy's maximalist approach may have yielded some of his most memorable moments in previous shows, in _The Shards_, it feels like overindulgence. The juxtaposition of opulent production design with Bret Easton Ellis's minimalist sensibilities is jarring, highlighting a fundamental creative mismatch between the two visionaries. What's left unexplored in this article, however, is how the show's excessive focus on style may be a symptom of a larger issue: our modern obsession with nostalgia and spectacle over meaningful storytelling.

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